Tag Archives: Yukio Ninagawa

Year of Shakespeare: Cymbeline at the Barbican

This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Cymbeline, The Ninagawa Company, dir. by Yukio Ninagawa, 2 June 2012 at the Barbican Theatre, London By John Lavagnino, King’s College London Ninagawa directs Cymbeline as though there’s nothing much […]

John Lavagnino
acting styles, class, costume, culture, Cymbeline, Hiroshi Abe, historical dress, international Shakespeare, Japan, John Lavagnino, Kings College London, Ninagawa Company, physical comedy, physical theatre, Shinobu Otake, staging, Textual cuts, The Barbican, translation, visual theatre, World Shakespeare Festival, Year of Shakespeare, Yu Umemiya, Yukio Ninagawa
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Year of Shakespeare: CoriolanusFestivals, Tragedy, Year of Shakespeare

This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Coriolanus, Chiten Theatre Company, Dir. Motoi Miura, 21 May 2012 at The Globe, London By Adele Lee, University of Greenwich It might be assumed that a Japanese theatre company performing Coriolanus would […]
- Adele Lee
- Adele Lee, avant-garde, Beckett, Chiten Theatre Company, Coriolanus, costume, Dai Ishida, David Farr, Doubling, Edward Bond, Ensemble, expressive theatre, Feudal Japan, homoerotic, intercultural, Is just being interesting OK?, Japan, Japanese, Kabuki, Kyoto, Lear, London, Machiavellian, Masculinity, masks, Motoi Miura, movement, necrophilia, Noh, Omoshirokereba OK?, politics, props, Ralph Fiennes, Samurai warrior, Sound, Tadashi Suzuki, Tale of Lear, The Globe, University of Greenwich, voice, Yukio Ninagawa
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