Pericles, Yohangza, dir. Yang Jung-ung, TJ Towol theatre, Seoul Arts Centre, Korea. 23 November 2016, 3pm matinee. Reviewed by Sarah Olive I recently attended the Asian Shakespeare Association conference in Dehli, where the disoriented spectator was having a field day: the concept from theatre criticism, that is, rather than a person (though […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. ‘Re-Making Shakespeare’, Northern Stage, Newcastle, Saturday 14 July 2012. By Monika Smialkowska, University of Northumbria ‘Re-making Shakespeare’, co-organised by Northern Stage, the School of English at Newcastle University, and the RSC, […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Antony and Cleopatra (Antonius ile Kleopatra), Oyun Atölyesi, Dir. Kemal Aydoğan, 26 & 27 May 2012 at The Globe, London, reviewed by Michael Dobson & Adele Lee Saturday 26 May 2012 By […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. King John, Gabriel Sundukyan, National Academic Theatre (Armenia), dir. Tigran Gasparyan, May 16 2012 at The Globe, London By Michael Dobson, Shakespeare Institute To start with a confession: I did not arrange […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. By Alexa Alice Joubin, George Washington University Can Shakespeare’s plays give a “local habitation” to the “airy nothing” of globalization? Shakespeare is proclaimed, once again, the bearer of […]
