Lear, Primeiros Sintomas dir. Bruno Bravo @ Teatro Nacional Dona Maria II, Lisbon, 2017 Reviewed by Francesca Rayner, Universidade do Minho As the title suggests, the emphasis in Bruno Bravo’s production was on the man rather than the king. Or rather, the woman playing the role of the man as the main character here was played […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Coriolanus, Chiten Theatre Company, Dir. Motoi Miura, 21 May 2012 at The Globe, London By Adele Lee, University of Greenwich It might be assumed that a Japanese theatre company performing Coriolanus would […]
