Hamlet directed by K.D. Schmidt for the Mainz State Theatre, Mainz, Germany. March 13, 2019 And A Midsummer Night’s Dream directed by Hilmar Jónsson for the National Theatre of Iceland, Reykjavík, Iceland. March 16, 2019. Reviewed by Justin B. Hopkins I went on holiday to Germany, with a long layover in Iceland on the way […]
Much Ado About Nothing, directed by Ann Ciccolella. Austin Shakespeare at the Rollins Theatre, The Long Center for the Performing Arts, Austin, TX. November 15, 2017 Reviewed by Michael Saenger. On an elegantly open stage, punctuated only by a standing lattice arch, Austin Shakespeare created an intoxicating sense of optimism and the distinct impression that […]
Othello at the Sam Wanamaker Playhouse, Shakespeare’s Globe, London, April 2017 Reviewed by Madison Doss, Burning Coal Theatre Company The issue of race in Othello is inescapable—and it should be. Ellen McDougall, director of the Globe’s most recent production of Othello, acknowledges that “productions must take responsibility for the racism, misogyny, and sexual violence in both the […]
Edward II by Christopher Marlowe. Directed by Charlotte Vickers for Oxford University Dramatic Society et al., Oxford Playhouse, 28 January 2017. Reviewed by Peter Malin References to the play are to Christopher Marlowe, Edward the Second, ed. by Martin Wiggins and Robert Lindsey, New Mermaids, 2nd edn (London: A. & C. Black, […]
Review of Murray McGibbon’s King Lear in Original Pronunciation by Terri Bourus When I took my seat in the Wells-Metz theater in Bloomington for Murray McGibbon’s staging of King Lear, the first thing I noticed in the theatre-in-the-round set, was a stack of old tires, placed so that they were just at my feet, in the […]
The Alchemist, directed by Paul Burbridge for Riding Lights Company at the Belgrade Theatre, Coventry, 22 February 2014 Review by Eoin Price A version of this review was first published on asidenotes.wordpress.com on 23 February 2014. Paul Burbridge relocated his Belgrade Theatre production of Ben Jonson’s The Alchemist to Coventry, trading Jacobean London references for […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Macbeth: Leïla & Ben – A Bloody History, Artistes Productuers Associés, dir. Lotfi Achour, Northern Stage, Newcastle Upon Tyne, 13 July 2012 By Adam Hansen, University of Northumbria Ted […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. The Rest is Silence, dreamthinkspeak, 29 June 2012, at the Northern Stage, Newcastle upon Tyne By Adam Hansen, University of Northumbria In Oscar Wilde’s ‘The Critic as Artist’ (1890-91), […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Sharing History: South Sudan Theatre Company’s Cymbeline at the Globe By Colette Gordon, University of Cape Town Pondering how much audiences really know about South Sudan, as she describes her […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Henry V, Shakespeare’s Globe, Dir. Dominic Dromgoole, 8 June 2012 at The Globe, London By Abigail Rokison-Woodall, University of Cambridge At the end of the Globe Theatre’s ‘English’ offering, Henry […]
