Timon of Athens by Teatro Praga at the Centro Cultural de Belém, Lisbon, Portugal, 2019 Reviewed by Francesca Rayner After years of non-performance in Portugal, Timon of Athens has been produced twice in the past few years; firstly in a production directed by Nuno Cardoso in 2018 and now in 2019 in a performance […]
- Francesca Rayner
- A Midsummer Night's Dream, aestheticization, André e. Teodósio, André Godinho, capitalism, Centro Cultural de Belém, Claúdia Jardim, collaboration, David Mesquita, democratization, design, Dido and Aeneas, Diogo Bento, Elyette Roux, Fernando Miguel Jalôto, Francesca Rayner, Gilles Lipovetsky, Henry Purcell, Joana Barrios, Joana Sousa, João Abreu, José Maria Vieira Mendes, Lisbon, Ludovice Ensemble, Marcello Urgeghe, minimalism, music, non-normative casting, Nuno Cardoso, Patrícia da Silva, Pedro Penim, performativity, Portugal, Portuguese, satire, Setting, Teatro Praga, The Tempest, Timon of Athens, translation, Viktor and Rolf
