Times of Change at Oregon Shakespeare Festival, 2019 By Sheila T. Cavanagh, Emory University 2019 marked a transition in leadership at Oregon Shakespeare Festival (OSF) from Bill Rauch to Nataki Garrett. This final season of Rauch’s tenure as Artistic Director presented a host of remarkable productions, although the strongest plays suggest that OSF might currently be […]
Measure for Measure, translated and directed by Jack Nieborg, Shakespeare Theater Diever, The Netherlands, 7 September 2019. Review by Paul Franssen (Utrecht University) As usual in Diever, the auditorium was split in two by the narrow central stage. Spectators were faced with the one-dimensional outline of a row of houses in the middle, and churches […]
A Midsummer Night’s Dream by Shakespeare from Russia. Part of the RSC open air Dell performances, July 2019. Reviewed by Sara Marie Westh Sometimes you stumble on something truly excellent, and it becomes all the more so by being unexpected. I have attended the RSC Dell performances for several years now, and have enjoyed myself […]
King John; directed by Aaron Posner for The Folger Theatre of Washington, D.C., USA. November 11, 2018 Edited by Justin B. Hopkins and reviewed by Jeremy Mauser, Abby Dotterer, Shannon Briggs, Caitlyn Erdman, Ian McLachlan, Yu Hai, Elizabeth Quinn, and Lillian Ward-Packard, Franklin and Marshall College I teach a first-year undergraduate seminar on Shakespeare, and I recently took fifteen students to the Folger […]
Much Ado About Nothing, directed by Ann Ciccolella. Austin Shakespeare at the Rollins Theatre, The Long Center for the Performing Arts, Austin, TX. November 15, 2017 Reviewed by Michael Saenger. On an elegantly open stage, punctuated only by a standing lattice arch, Austin Shakespeare created an intoxicating sense of optimism and the distinct impression that […]
Macbeth, Audacious Challenge and Innovative Experiment: A New Shakespearean Play directed by Dalian Chen at Chong Qing Theatre Company, 24th and 25th Oct. 2017. Reviewed by Yu Sun, College of Foreign Languages and Cultures of Xia Men University, China. Her academic interest focuses on the Shakespearean studies and comparative literature. List of Characters： Macbeth& Lady Macbeth (Yi […]
Lear, Primeiros Sintomas dir. Bruno Bravo @ Teatro Nacional Dona Maria II, Lisbon, 2017 Reviewed by Francesca Rayner, Universidade do Minho As the title suggests, the emphasis in Bruno Bravo’s production was on the man rather than the king. Or rather, the woman playing the role of the man as the main character here was played […]
The Taming of the Shrew, translated and directed by Jack Nieborg, Shakespeare Theater Diever, The Netherlands, 26 August 2017. Reviewed by Paul Franssen, Utrecht University The annual open-air Shakespeare production at Diever, staged by amateurs, seems to be drawing bigger crowds every year. This year’s production of The Taming of the Shrew makes it clear why: […]
The Taming of the Shrew, directed by Kevin Gates. At the City Theater, Austin, TX, June 8, 2017. Review by Michael Saenger What in the world does one do with The Taming of the Shrew? When I was growing up, it was a staple of community theater, a hilarious and (chuckle) romantic tale of an […]
Twelfth Night, Watermill, dir. Paul Hart, York Theatre Royal. 19 May 2017. Reviewed by Sarah Olive This production was one of two offerings from Watermill Theatre at the second York International Shakespeare Festival (Romeo and Juliet was the other). Both traded heavily on the incorporation of live music into the productions: Romeo and Juliet with […]
