Originally published on The Bardathon, 2 April 2011. The Rape of Lucrece was last staged at the Swan in 2006, as part of the Complete Works Festival. That production, directed by Greg Doran, was a relatively traditional reading of the poem, featuring five actors standing in a line with books in hand, each taking one of the poem’s […]
Originally published on The Bardathon, 3 November 2011. Writing about web page https://www.filtertheatre.com/page/Coming_Soon/ Filter’s A Midsummer Night’s Dream marks the company’s second foray into Shakespeare, following its sublime and irreverent Twelfth Night. The company specialise in a form of deconstructed theatre, treating performances as “gigs” where all the machinery of performance – instruments, sound boxes, stage management, cast – […]
Originally published on The Bardathon, 13 December 2009. Writing about web page https://www.twogentsproductions.com/wordpress/ Two Gents Productions are a three-man company made up of performers Denton Chikura and Tonderai Munyevu, and director Arne Pohlmeier. As their name suggests, the company was founded as a result of the trio’s work on their devised production of Two Gentlemen of Verona, retitled Vakomana Vaviri ve Zimbabwe. While the […]
Originally published on The Bardathon, 18 February 2011. Even though Richard II stands alone as a wonderful, lyrical play, there’s something about a good production that leaves you wanting more, in the form of Henry IV. Certainly the play seems to aim at that. Some of the most exciting moments in Andrew Hilton’s new production, opening this year’s season at the […]
Originally published on The Bardathon, 30 September 2012. It’s been a busy year for Richard III. Not only have the RSC and now the Globe exhumed him live onstage, but what may be his actual remains have been unearthed in a Leicester car park. With the Tobacco Factory and Nottingham Playhouse due to stage Shakespeare’s play in 2013, the play has entered […]
Originally published on The Bardathon, 5 May 2013. Playing in repertory with Hamlet, Maria Aberg’s new production of As You Like It shared more than just a company that reunited the leading players from her spectacular King John last year. The same foundational level of muddy soil that was exposed throughout Hamlet to finish that play in an upturned graveyard emerged again here, but […]
Originally published on The Bardathon, 1 June 2013. I first saw Propeller in November 2006, when they contributed their Taming of the Shrew to the RSC’s Complete Works Festival in Stratford, which made this the most delayed return visit to a production I’ve ever had. Almost seven years later and with an almost entirely new cast, Propeller’s […]
Originally published on The Bardathon, 1 March 2012. Writing about web page https://www.nationaltheatre.org.uk/67933/productions/the-comedy-of-errors.html The NT Live juggernaut rolls on. Now well-established as a theatrical/cinematic event, it was a pleasure to see the enormous Screen 1 of Nottingham’s Broadway cinema packed out with a lively audience for the latest offering, a broadcast of Dominic Cooke’s hugely successful The Comedy of […]
Originally published on The Bardathon, 25 August 2008. After years of not knowing what answer to give, I recently finally decided that Timon of Athens is my favourite Shakespeare play. Structurally it’s fascinating, built in recurring circles of action that allow examinations of the varoius character types from a variety of angles. The language, as befits a Middleton collaboration, […]
Originally published on The Bardathon, 26 August 2008 So, finally, on to The Merry Wives of Windsor, the last of my three London plays this weekend and, in my opinion, the best. Not as inventive as Timon, nor as technically outstanding as Waves, it might seem an unlikely judgment, but Merry Wives did exactly what it said on the tin. By far […]
