Coriolan/us, directed by Mike Pearson and Mike Brookes for National Theatre Wales, Hangar 858, RAF St. Athan, Vale of Glamorgan, 15th August 2012. By Harry Fox Davies Hangar 858 at RAF St Athan on the coast of South Wales was both the theatre space and setting for Coriolan/us. Infused with Bertolt Brecht’s 1950s adaptation of […]
Der bestrafte Brudermord Performed by Hidden Room Theatre Directed by Beth Burns Blackfriars Playhouse, Staunton, Virginia 25 October 2013 Review by James Loehlin Der bestrafte Brudermord has been getting a lot of attention lately. This early German version of Hamlet—one of the first surviving adaptations of a Shakespeare play into another language—was performed in […]
Originally published in The Huffington Post, 9 March 2013. Andrew Hilton’s production of King Lear, currently at Bristol’s Tobacco Factory until March 24, is a gripping rendition of Shakespeare’s most distressing tragedy, unadorned by heavy-handed gimmicks and sensitive to the text. As usual with anyShakespeare at the Tobacco Factory production, part of its strength comes from its excellent […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Directed by Elizabeth LeCompte for the Wooster Group (New York, USA) and Mark Ravenhill for the RSC (Stratford-on-Avon, UK) at the Swan Theatre, Stratford-on-Avon and the Riverside Studios, London. By Paul […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Coriolan/us, National Theatre Wales and Royal Shakespeare Company, Dir. Mike Pearson and Mike Brooks, 8 August 2012, at Hangar 858, RAF St Athan, Vale of Glamorgan, Wales. By Alun Thomas, Cardiff University […]