In optimistic defiance of the depressingly reliable unreliability of the Northern summer, there is usually a good deal of outdoor theatre to be enjoyed in Sweden in June, July and August. Recently, I joined a party of Shakespeare enthusiasts in climbing-boots and windcheaters on the rocky peninsula of Kullaberg, a nature reserve in southern Sweden, […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Coriolan/us, National Theatre Wales and Royal Shakespeare Company, Dir. Mike Pearson and Mike Brooks, 8 August 2012, at Hangar 858, RAF St Athan, Vale of Glamorgan, Wales. By Alun Thomas, Cardiff University […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Y Storm or The Tempest, Theatr Genedlaethol Cymru, Dir. Elen Bowman, August 7 2012 (matinee), at National Eisteddfod Maes, Llandow, Vale of Glamorgan, Wales. By Alun Thomas, Cardiff University Y Storm […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. A Soldier in Every Son – ‘Chaos Comes to Establish a New Order’ By Leticia Garcia, University of California at Irvine The cross-cultural collaborations forming part of the Globe to […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Macbeth: Leïla & Ben – A Bloody History, Artistes Productuers Associés, dir. Lotfi Achour, Northern Stage, Newcastle Upon Tyne, 13 July 2012 By Adam Hansen, University of Northumbria Ted […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Timon of Athens, National Theatre, Dir. Nicholas Hynter at the Olivier, National Theatre, 14 July 2012 By Emily Linnemann, Shakespeare Institute It seems remarkably apt, given my post here last […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. The Rest is Silence, dreamthinkspeak, 29 June 2012, at the Northern Stage, Newcastle upon Tyne By Adam Hansen, University of Northumbria In Oscar Wilde’s ‘The Critic as Artist’ (1890-91), […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. In a Pickle, Oily Cart/Royal Shakespeare Company, dir. Tim Webb, 28 June 2012, at the Northern Stage, Newcastle upon Tyne By Adam Hansen, University of Northumbria This production did […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. The Dark Side of Love, directed by Renato Rocha and co-directed by Keziah Serreau, 5 July 2012 at the Roundhouse, London By Sonia Massai, King’s College London At the beginning of this 45-minute promenade […]