This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. The exhibition Shakespeare: Staging the World focuses on Shakespeare’s ‘world rather than his life’. Droeshout’s image of Shakespeare looms over the ticket booking process, the programme, and the entrance to the […]
This post is part of Year of Shakespeare, a project documenting the World Shakespeare Festival, the greatest celebration of Shakespeare the world has ever seen. Love’s Labour’s Lost, Deafinitely Theatre, dir. Paula Garfield, 23 May 2012 at The Globe, London By Kate Rumbold, University of Birmingham It was changeover time at Bankside on a sunny May afternoon: clusters […]
