Richard II, directed by Joe Hill-Gibbins for the Almeida Theatre (https://almeida.co.uk/). The Almeida Theatre, London, 9 January, 2019. Reviewed by Joseph F. Stephenson Two popular casting trends in recent years of Shakespeare productions are star-driven—in which a major star, often from film or television, plays the main role—and small cast—in which a cast much smaller […]
A Warning for Fair Women, Directed by Brent Griffin, Resurgens Theatre Company, Atlanta, GA, USA. November 20, 2018. Reviewed by Meg F. Pearson, University of West Georgia Southern enthusiasts of non-Shakespearean drama enjoy an embarrassment of riches from the Resurgens Theatre Company. The company is devoted to original productions and the verse dramas of Shakespeare’s […]
Othello, Dir. Kate Buckley for the Utah Shakespeare Festival. Anes Studio Theatre, Cedar City, Utah, Sept. 8, 2018. Reviewed by Porter Lunceford (Weber State University) The Utah Shakespeare Festival’s Othello was put on this year as part of the theme of tolerance. “The idea of intolerance and the adverse effects of intolerance on humanity runs […]
Troilus and Cressida by William Shakespeare, directed by Gregory Doran, RSC, Royal Shakespeare Theatre, Stratford-upon-Avon, Thursday 18 October and Wednesday 14 November 2018. Reviewed by Peter Malin All quotations from the play are from the 1987 New Penguin edition, ed. by R. A. Foakes Academic theatre reviewing should sometimes, I think, consist of more […]
King Lear, translated and directed by Jack Nieborg, Shakespeare Theater Diever, The Netherlands, 8 September 2018. Reviewed by by Paul Franssen (Utrecht University) This year, the Diever amateur theatre had chosen King Lear for their annual production. In line with some other recent stage adaptations of Shakespeare plays, the tragedy was set in the world of […]
High Park’s Midsummer fails to woo with its swords Diana Jones, York University Director Tanja Jacobs’ choice to set High Park’s A Midsummer Night’s Dream in a carnivalesque atmosphere, inspired by the work of Italian filmmaker Federico Fellini, is appropriate for several reasons. Shakespeare’s comedy is tremendously playful with its sprightly faeries, magical flowers, and […]
Fırtına: A Turkish Tempest. Directed by Kemal Aydoğan and translated by Emine Ayhan at the Moda Sahnesi Theatre, Istanbul, Turkey Reviewed by Anna Carleton Forrester, University of Georgia Kemal Aydoğan’s Fırtına, an adaptation of The Tempest, was one of two Shakespeare plays scheduled for the Istanbul Theatre Festival (November 13-26), and will continue its […]
Julius Caesar, dir. Michiel de Regt. Performance: Orkater. Music: K.O. Brass! Stadsschouwburg Amsterdam, 2 December 2017. Reviewed by Paul Franssen (Utrecht University). Like many productions of Julius Caesar nowadays, Orkater’s staging transposed the action to the modern age. No togas, therefore, but modern dress, and modern instruments too: for this production replaced much of the […]
As You Like It by William Shakespeare, directed by Kate Saxon for Shared Experience / Theatre by the Lake, at Oxford Playhouse, 18 November 2017 Reviewed by Peter Malin References to the play are to William Shakespeare, As You Like It, ed. by Alan Brissenden (Oxford: Oxford University Press, 1993) Where to start? With […]
Much Ado About Nothing, directed by Ann Ciccolella. Austin Shakespeare at the Rollins Theatre, The Long Center for the Performing Arts, Austin, TX. November 15, 2017 Reviewed by Michael Saenger. On an elegantly open stage, punctuated only by a standing lattice arch, Austin Shakespeare created an intoxicating sense of optimism and the distinct impression that […]
