Play On directed by Robert Hollingworth and Omar Shahryar, Jack Lyons Concert Hall, University of York, UK, 1 November 2017 Review by Sarah Olive, University of York The undergraduate students of York’s music department had only six weeks to work with their directors – Robert Hollingworth and Omar Shahryar – devising and developing their practical […]
Twelfth Night, Watermill, dir. Paul Hart, York Theatre Royal. 19 May 2017. Reviewed by Sarah Olive This production was one of two offerings from Watermill Theatre at the second York International Shakespeare Festival (Romeo and Juliet was the other). Both traded heavily on the incorporation of live music into the productions: Romeo and Juliet with […]
Richard III, Almeida, dir. Rupert Goold, Almeida Live. Royal Spa Centre cinema, Leamington. 21 July 2016. By Sarah Olive BardFeed 5 ways in which this Richard III is totally on trend that don’t involve comparing the protagonist and Michael Gove (that’s soooo passé). Applauding archaeology Archaeology is hot right now (literally, for those […]
Restoration era incidental music to The Tempest, Pyramus & Thisbe, Opera Restor’d/Hand Made Opera, York International Shakespeare Festival, Musical dir. Peter Holman, National Centre for Early Music, York, 10 May 2015 Reviewed by Sarah Olive (University of York) This Sunday afternoon concert, held in the converted church that houses the National Centre for Early Music (and had been my polling station […]
Hamlet: Drama of Vengeance – directed by Sven Gade, Heinz Schall for Silents Now at the York International Shakespeare Festival at Jack Lyons Concert Hall, University of York. 9 May 2015 Reviewed by Sarah Olive, University of York This is the first instalment in a series of around ten reviews which I’ll be writing to celebrate the […]
Love’s Labour’s Won [Much Ado About Nothing]: RSC Education Schools Broadcast Royal Shakespeare Company Dir. Christopher Luscombe Royal Shakespeare Theatre/Ravensbourne University 30 April 2015 Much Ado About Nothing, here renamed Love’s Labour’s Won to fit with the RSC’s other offerings during Winter 2014-15, is a play about two people who refuse to countenance that […]