A Warning for Fair Women, Directed by Brent Griffin, Resurgens Theatre Company, Atlanta, GA, USA. November 20, 2018. Reviewed by Meg F. Pearson, University of West Georgia Southern enthusiasts of non-Shakespearean drama enjoy an embarrassment of riches from the Resurgens Theatre Company. The company is devoted to original productions and the verse dramas of Shakespeare’s […]
Hamlet, directed by Sheri Lee Miller, with original soundscape by Nancy Hayashibara, Spreckels Theatre Company, at the Spreckels Performing Arts Center, Rohnert Park, California Reviewed by John Langdon The California wine country is not London, Chicago, or New York, and there aren’t always as many options for Shakespearean playgoers. To be sure, dedicated companies are […]
Love’s Labour’s Lost, directed by Bronwyn Barnwell, at The Shakespeare Institute, February 2019 Reviewed by Sara Marie Westh There is a part of Love’s Labour’s Lost I never liked. It is not the ending – I rather like that no one gets off easy. It is not the weird Russian masquerade either – it is […]
Othello, Dir. Kate Buckley for the Utah Shakespeare Festival. Anes Studio Theatre, Cedar City, Utah, Sept. 8, 2018. Reviewed by Porter Lunceford (Weber State University) The Utah Shakespeare Festival’s Othello was put on this year as part of the theme of tolerance. “The idea of intolerance and the adverse effects of intolerance on humanity runs […]
Love’s Labour’s Lost; directed by Dan Swern for Shake and Bake Theatre, New York City, New York, 22 Dec 2018. Reviewed by Kelsey Ridge (University of Birmingham) Shake and Bake’s Off-Broadway production of Love’s Labour’s Lost, staged in the round, is not what anyone would think of as “Shakespeare how it’s meant to be done.” […]
Love’s Labour’s Lost; created and adapted by David Goldman, Victoria Rae Sook, and Dan Swern for Shake & Bake. Directed by Dan Swern, New York, New York, USA. December 15, 2018. Reviewed by Justin B. Hopkins Given how much I like both food and Shakespeare, I was caught between eager anticipation and mild apprehension. Too […]
I, Banquo written by Tim Crouch, directed by Elliot Wallis, SE Theatre Company, Attic Theatre, Stratford-upon-Avon, Sunday, 25 November 2018 (centre stalls) Reviewed by Kath Bradley Having been fascinated by Tim Crouch’s previous plays inspired by Shakespeare’s lesser characters (I, Malvolio and I, Cinna (the poet),) I looked forward with eager anticipation to this perspective […]
King John; directed by Aaron Posner for The Folger Theatre of Washington, D.C., USA. November 11, 2018 Edited by Justin B. Hopkins and reviewed by Jeremy Mauser, Abby Dotterer, Shannon Briggs, Caitlyn Erdman, Ian McLachlan, Yu Hai, Elizabeth Quinn, and Lillian Ward-Packard, Franklin and Marshall College I teach a first-year undergraduate seminar on Shakespeare, and I recently took fifteen students to the Folger […]
Troilus and Cressida by William Shakespeare, directed by Gregory Doran, RSC, Royal Shakespeare Theatre, Stratford-upon-Avon, Thursday 18 October and Wednesday 14 November 2018. Reviewed by Peter Malin All quotations from the play are from the 1987 New Penguin edition, ed. by R. A. Foakes Academic theatre reviewing should sometimes, I think, consist of more […]
Henry VI, part one; directed by Henry Woronicz for the Utah Shakespeare Festival, Cedar City, Utah, 8 Aug. 2018. Reviewed by David W. Hartwig As part of its effort to “complete the canon,” which began in 2011, the Utah Shakespeare Festival began the Wars of the Roses cycle this season with Henry VI, part one. […]
