FEATURED POSTS
Shakespeare in Sweden
By Jan Padover Jan Padover, the illustrator for Prospero Art Publishers recently ...
Paying for Shakespeare: Henry Folger’s Checks
By Stephen H. Grant On the Ides of March five years ago, ...
RECENT POSTS
‘The Bard of all bards was a Warwickshire bard’: Reviving David Garrick’s Stratford Jubilee
By David Chandler, Retrospect Opera. 2019 will witness the 250th anniversary of David Garrick’s great Shakespeare ‘Jubilee’, the most talked about cultural event of the British eighteenth century. This took ...
Great Caesar’s Ghost
By Dr. John Langdon We have just reached that point where latest night bleeds into earliest morning. A man paces restlessly in a tent in the middle of a military ...
About the Bard
By Diane Meyer Lowman (The Shakespeare Institute, UoB). I have loved Shakespeare for as long as I can remember. Some might say I’m obsessed. So when my boys grew and ...
Studying in the book of another’s notes
By Sara Marie Westh I am back, with another question from the Halliwell-Phillipps notebooks for our brilliant readers to ponder, since the last query yielded such a wealth of suggestions. Once ...
Bootleg Puppets
By Daisy Edwards, Bootleg Puppets When I became a University student I slowly forgot how desperately young people, families, and children needed art and theatre. Theatre was so accessible as a ...
The puzzle of someone else’s notes
By Sara Marie Westh I have over the past half year or so been working my way through the J.O. Halliwell-Phillipps notebook on Shakespeare’s Sonnets, held at the Shakespeare Birthplace ...
Late Summer on Brook’s heath
By Sara Marie Westh The images from Peter Brook’s cinematic version of King Lear have been burned onto the retinas of countless Shakespeareans since its release in 1971. The stark landscape ...
Othello and the Everyman
By Kelsey Ridge, the Shakespeare Institute. I was drawn to Gemma Bodinetz’s Othello at Liverpool’s Everyman largely for its high-concept approach: Othello (played by Golda Rosheuvel) is a lesbian. An ...
